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more mediated forms of representation (where the poles of communication are separated temporally and/or spatially) have two alternatives open to them: the supplementation of the represented speech act with whatever means the medium provides for simulating the presence of the represented scene (“classical prose” is the first virtual reality, remarkably immersive); or, the representation of the speech act as one variably probable utterance on the variably probable scenes that medium can represent.

Adam Katz, The Name of God, Technomedia, and the Model of the Work of Art · Dec 2018 · GABlog

Evidences

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