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Mimesis is central to our identity as humans. Aristotle observed long ago that humans are the most mimetic of animals. For Aristotle, our mimetic nature explains the delight we take in works of art that represent events or objects. He notes that we learn by imitation, and we enjoy learning new things (Aristotle 6-7). Aristotle was refuting Plato’s interpretation of mimesis as an inferior reproduction of the eternal “forms,” e.g., Beauty and Truth. For Plato, artistic mimesis leads us away from the Good and Justice, in contrast to the Socratic dialectic ( elenchus ). In Socrates’ examination of poetry and its role in society, he argued that it allows passion to overpower reason, which he believed is the only sure foundation of Justice. [3] Philip K. Dick’s novel continues the debate about the role of mimesis and supports Aristotle’s observation that humans are the most mimetic of animals. We are incredibly adept at imitating each other and learning by imitation. More importantly, humans have invented culture: symbolic and (at the same time) mimetic representations, including poetry, paintings, and human figures, of which robots or androids are a variety. [4] Children develop into adults through their facility at imitation, which is a virtually instinctual behavior for humans. [5] Our primate cousins share this mimetic tendency, but humans take it to a new level.

Eric Gans, Mimesis in Do Androids Dream of Electric Sheep? · Fall 2021 · Anthropoetics

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